Archives for posts with tag: rosemary

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Happy 2013 folks!

I have that U2 song “Lemon” stuck in my head, from the band’s 1993 album Zooropa. Well, I’m sorry to be the one to tell you this, but that was twenty years ago. We’re old. And we misspent our youth.

Ok so much updating is in order. It’s been six weeks since my last post—the longest dry spell since I started this blog almost two years ago. What happened? December holiday madness. Office parties. Book deadlines. Dating. Etc. And then, on December 22nd, I suffered a concussion after fainting in the Whitney Museum, crashing hard on Marcel Breuer’s concrete floor, my head breaking my fall. I was at the Wade Guyton show on the third floor, which you should go see if you’re in New York, it comes down on Sunday. Go for the Guyton, stay for the Artschwager.

I’ve been largely out of commission for the past two and a half weeks. Not cooking, not biking, not yoga’ing, not working. For Christmas I received two copies of Yotam Ottolenghi’s new cookbook Jerusalem. One from my sister Hope, the other from the b.f. Melony. I’m exchanging one of them for Plenty, since I miss having Mark’s copy around.

So while I haven’t been at the stove, I’ve been curled up in bed with the beautiful book designed by Sarah Pulver (cover for U.S. edition) and Here Design (interior and cover for UK edition), dreaming of shakshuka, mejadra, and eggplant everything. But I thought I’d take it slow and begin my re-entry with something not too labor intensive but with big results: preserved lemons. On the few occasions I’ve had the store-bought kind in a jar I’ve enjoyed the fragrant sweet-sour tastes with couscous, bulgur, fish, lentils, meat. But never having made my own, it seemed about time to dive in.

This is also strategic: I plan to cook my way through this book over the coming months and having these luscious preserved lemons on hand four weeks from now will come in handy for multiple recipes.

Now, a head’s up: you make these lemons in stages. So first you stuff with salt and keep them sealed in a mason jar for a week. Then at that point you open the jar and stuff them with rosemary, chile, lemon juice, and olive oil, then let sit again for at least four weeks. I just began step one, but couldn’t wait to post about it. So I haven’t even added the rosemary, etc. yet. I’ll update here when that happens in about a week’s time.

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Preserved Lemons

6 organic, unwaxed lemons
6 tbsp coarse sea salt
2 rosemary sprigs
1 large red chile
juice of 6 lemons
olive oil

Make sure you have a Ball or Mason jar large enough to accommodate your lemons. Sterilize it by filling with boiling water, leaving for a minute, then emptying. Let it air dry.

Wash the lemons and cut a deep X or cross down through the lemon, leaving about 3/4 in. from the bottom. Stuff each lemon with 1 tbsp of the salt and place in the jar. Push the lemons in tightly, seal the jar, and leave in a cool place for at least one week. If you don’t know how to seal a jar properly, here is one of many links that explains how to do this.

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After this initial period, remove the lid and press the lemons as hard as you can to squeeze out as much of the juice as possible. Add the rosemary, chile, and lemon juice, and coat the lemons with a thin layer of olive oil. Seal the jar again and leave in a cool place for at least 4 weeks. The longer you leave them the better the flavor.

Enjoy these as a condiment to many meat, fish, and vegetable dishes. I’m planning to use mine in the recipe for Chermoula eggplant with bulgur and yogurt, from the same book.

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Two Saturdays ago I was thwarted at my local farmer’s market in Fort Greene, Brooklyn. I walked over at 9 am, canvas tote in hand, and headed to the one stand that is known to carry fiddleheads during their fleeting three-week run at the markets. “Just sold the last ones,” the farmer told me, not without a proud smile crossing his face. And then he pointed to the couple who scored the last fronds. They looked pleased with themselves.

He tried to get me to buy some stinging nettles instead, which are basically the opposite of fiddleheads—whereas fiddleheads are furled, introspective, and soft, nettles have tiny stingers pointing out from the leaves daring you to touch them, let alone eat them. Fiddleheads are coy, nettles defiant. I passed on the nettles (although I do quite like to eat them) and was reassured he’d have more fiddleheads the following week, and maybe, but not likely, the week after that.

I found myself in Union Square Friday after work and much to my delight, despite the late hour, one stand with a tiny batch of fiddleheads remained at the Greenmarket. Joy! I bought them up, leaving just enough for another customer, so as not to be that person the farmer points to and says, “Sorry, she got the last ones.”

Now what to do with these sleeping beauties? I like to just steam or sauté them, dip them in a little melted butter, or serve with fish and rice. But I had an idea. I passed one of those bakery stands at the market that sells hearty loaves of rye and cheddar scones, and noticed big, thick slices of focaccia. Aha! What about fiddlehead focaccia? After all, the first time I had fiddleheads they were served on bruschetta; focaccia wasn’t all that different. And the fiddleheads could roast up nicely on the dough, along with any other toppings I decided to add.

So I bought some Kalamata olives, rosemary, and shallots and set out to make the dough. This recipe requires a bit of time because you have to let the dough rise twice—the first time for at least an hour and a half, the second time for about forty-five minutes. So it’s a good thing to make on a lazy weekend when you can fiddle around in your kitchen, then go do something else for a while, then come back, then do it again. I was pleased with the results — turns out fiddleheads work well with the flavors of rosemary and olives. The bread is salty, crunchy, and let’s face it, rather pretty and springy, no?

Fiddlehead Focaccia

2 c warm water
2 tsp active dry yeast
4 c flour (plus more for handling the dough) Note: I used 2 c all-purpose white flour and 2 c stone ground whole wheat flour
2 tsp salt
Olive oil (about 1/4 c total)
1/4 to 1/3 lb fiddleheads, cleaned, ends trimmed
1/2 to 1 c olives, pitted
1 shallot, sliced
1 tbsp fresh rosemary, chopped
black pepper

In the bowl of a stand mixer, add 2 c warm water. Sprinkle in the dry yeast and stir gently with a fork. Let stand until the yeast dissolves, about 10 minutes. (You don’t need a stand mixer to make this recipe, just strong muscles if doing by hand.)

Add the flour and salt to the yeast mixture and set the mixer to a medium speed, using the dough hook attachment. Mix for about 10 minutes, until the dough starts to come together and almost forms a ball. Oil a separate, large bowl, and add the dough, formed into a ball with your hands, to this bowl. Turn it around in the bowl so it gets coated with the oil. Cover with plastic wrap or a cloth towel and let it stand in a warm place until it doubles in size, about 1 1/2 hours. Punch down the dough, knead it into another ball, and return it to the bowl. Let stand until it doubles again, about 45 minutes more.

Preheat the oven to 450 F. Grease a baking sheet with oil. Transfer the dough to the sheet and spread out with your fingers. Drizzle with olive oil. Let the dough rest for about 10 minutes. Then add the fiddleheads, olives, shallots, rosemary, and a sprinkle of salt and black pepper. Push the ingredients into the dough, and make more indentations with your fingers throughout the dough.

Bake for 15-20 minutes, until the dough starts to turn golden brown. Remove from oven, and serve warm or at room temperature.

“Good-bye to…food and coffee. And new ironed dresses and hot baths…and sleeping and waking up. Oh, earth, you’re too wonderful for anybody to realize you…Do human beings ever realize life while they live it? — Every, every minute?”

Oh Thorton Wilder. I know you’re relegated to the dustbin of high school English classes but this quote from Our Town gets me every time. I haven’t read Wilder in years but this weekend, in between working a new job, visiting the Whitney Biennial and the Francesca Woodman show at the Gugg*, and generally avoiding people in green, I read multiple applications for the Board I’m on, students eager to get into an academic summer program.

Someone’s application made a reference to Our Town and my mind wandered to this passage. Food and coffee and freshly ironed dresses, hot baths, sleeping, and waking up…In the words of Rodgers and Hammerstein, these are a few of my favorite things.

Wilder in mind, I set out for this weekend’s simple cooking pleasure. With the weather warming up, but the farmer’s markets not yet stocked with the first produce of the season, an in-between, intermediary meal was in order. Something to welcome the spring and sun and longer days, and gently bid farewell to the unfriendliest of seasons (although kind of friendly this past year).

My hand reached for Plenty on the shelf. That’s the cookbook by Yotam Ottolenghi I wrote about here two weeks ago. It would have to be the caramelized garlic tart. The perfect early spring food: the lusciousness of cream, the lightness of pastry, the fragrance of rosemary and thyme. It’s letting go of winter and greeting spring simultaneously. It’s warm and cool, light and dark, sweet and savory, like March itself.

The Ball jar above is filled with cream, crème fraîche, eggs, salt, and pepper. Its final destination: the all-butter puff pastry, to be filled with caramelized garlic, two types of goat cheeses, rosemary and thyme. In the words of a friend, “I do.”

Caramelized Garlic Tart
From Plenty by Yotam Ottolenghi

Serves 8

1 sheet all-butter puff pastry (approx. 375 g)
3 medium heads of garlic, cloves peeled and separated
1 tbsp olive oil
1 tsp balsamic vinegar
scant 1 c water (220 ml)
3/4 tbsp sugar
1 tsp chopped rosemary
1 tsp chopped thyme, plus a few twigs to finish
1/4 lb (120 g) soft, creamy goat’s cheese (I used Caprichio from Spain)
1/4 lb (120 g) hard, mature goat’s cheese (I used smoked goat cheddar from Redwood Hill, CA)
2 eggs
1/3 c (100 ml) heavy cream
1/3 c (100 ml) crème fraîche
salt and black pepper

Have ready a shallow, loose-bottomed, 9-in. (28 cm) fluted tart tin. Thaw the puff pastry if frozen for at least 40 minutes before handling, then line the bottom and sides of the tin. Place a large circle of wax paper on the bottom and fill with dried beans. Let rest in the fridge for 20 minutes.

Preheat the oven to 350 F (180 C). Place the tart in the oven and bake for 20 minutes, with the beans. Remove the beans and wax paper, then bake for another 5-10 minutes, until the pastry is golden. Set aside, leave the oven on.

While the tart is baking fend off vampires by preparing the garlic. (A trick by the way to peeling all that garlic is putting the cloves in a jar, like a Mason or Ball jar, and shaking hard for about one minute. At least half the skins will fall off that way.) Place the cloves in a small saucepan and cover with plenty of water. Bring to a simmer and blanch for 3 minutes, then drain well. Dry the saucepan, return the cloves to it, and add the olive oil. Fry the garlic cloves on high heat for 2 minutes. Add the balsamic and water and bring to a boil, then simmer gently for 10 minutes. Add the sugar, rosemary, chopped thyme, and 1/4 tsp salt. Continue simmering on medium for 10 minutes, or until most of the liquid has evaporated and the garlic cloves are coated in a dark caramel syrup. Breath in deep. Set aside.

To assemble the tart, break up both types of goat’s cheeses into pieces and scatter in the pastry. Spoon the garlic cloves and syrup evenly over the cheese. In a jug or bowl whisk together the eggs, creams, 1/2 tsp salt and freshly ground black pepper. Pour this over the tart filling to fill the gaps, but make sure you can still see the garlic over the surface.

Reduce the oven temp to 325 F (160 C) and place the tart inside. Bake for 35-45 minutes or until the tart filling has set and the top is golden brown. Remove from the oven and let cool a little. Remove from tin, lay a few sprigs of thyme on top and serve warm with a crisp green salad.

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*If you live in NYC I highly encourage you to visit the Whitney Biennale, up until May 27th. Head straight to the second floor for Latoya Ruby Frazier’s black and white photographs—these are worth the visit alone; then check out Werner Herzog’s film, an ode to c17 Dutch painter Hercules Segers set to the music of Ernst Reijseger, also on the second floor. And then check out the little room toward the back of the second floor gallery with the Forrest Bess (by Robert Gober) installation: chilling. Then head up to the fourth floor rehearsal space of Michael Clark, British dancer and choreographer, who, with the dancers in his company, have taken over the entire floor. You get to stand around and watch them rehearse through April 8th.

Finally…worth a trip to the Guggenheim to see Francesca Woodman through June 13th. Woodman was a prolific photographer with a very short career, basically 1975 to 1981. I loved the Providence photos in particular.

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